Download Apple Pro Training Series: Final Cut Pro 7 by Diana Weynand PDF

By Diana Weynand

Thoroughly revised for ultimate minimize seasoned 7 and that includes new pictures from TNT’s hit express Leverage and the foreign tune production occasion taking part in For switch: Peace via song, this best-selling, Apple-certified advisor presents a powerful beginning in all facets of video modifying. popular writer Diana Weynand begins with uncomplicated video enhancing thoughts and takes you all through ultimate reduce Pro’s strong complex features.Each bankruptcy provides an entire lesson in a facet of video modifying and completing, utilizing expert broadcast pictures. After marking and modifying clips to create a coarse minimize, you’ll the way to trim and refine the reduce ahead of relocating directly to advanced initiatives corresponding to including titles, growing transitions and movement results, using filters, and dealing with multi-format and multi-camera photos. The booklet covers ultimate lower Pro’s interesting new gains, together with iChat Theater aid, the redesigned velocity instruments, and sharing tasks on a Blu-ray disc. DVD-ROM comprises lesson and media documents for over forty hours of training Focused classes take you step by step via specialist, real-world projects Accessible writing variety places knowledgeable teacher at your side Ample illustrations and keyboard shortcuts assist you grasp ideas fast Lesson pursuits and time estimates assist you plan your time Chapter assessment questions summarize what you’ve discovered and get ready you for the Apple qualified seasoned examination

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Extra resources for Apple Pro Training Series: Final Cut Pro 7

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Play from this position to the end of the clip. Pressing the Shift key in combination with either the Left Arrow or Right Arrow key moves the playhead backward or forward, respectively, in 1-second increments. This is a helpful way to quickly move the playhead a specific amount of time—in this case, to play the last section of the clip. 4 To move back to the head of this clip in a different way, press the Up Arrow key to move the playhead to the beginning of the clip. The Up Arrow and Down Arrow keys move the playhead backward to the head of the clip and forward to the tail of the clip, respectively.

The narration clips are already in their own folder. And while there 45 46 Editing in Final Cut Pro aren’t a lot of individual clips in your project, you might be adding more, and putting similar clips together will make them easier to find and access as you continue editing. Let’s take a moment to organize those individual clips into folders, or bins, so they appear as neat as the Narration clips. 1 To see as many project elements as possible in the Browser window, Control-click in the empty gray area, and from the shortcut menu, choose View as List.

In fact, all of the play and navigation commands you used in the Viewer can be applied in the Canvas and the Timeline, sometimes with slightly different results. Like the Timeline, the Canvas has a playhead and a scrubber bar similar to the Viewer’s. 1 To focus on the sequence image in the Canvas, resize the windows by dragging the border between the Viewer and Canvas as far left as possible. Then hold down the Option key and choose Window > Arrange > Set Custom Layout 2 to save this layout for future use.

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