By Nuria Enguita Mayo, Pablo Lafuente, Dieter Roelstraete
"Afterall" is a magazine of paintings, context, and inquiry that gives in-depth attention of the paintings of up to date artists from worldwide, besides essays that set the paintings in a broader context. Articles on paintings historical past and important concept utilized to paintings around out each one quantity. "Afterall" is written by way of students - yet with a watch towards the final reader who's drawn to the placement of paintings and artists in our international. factor 25 is equipped round examinations of how of taking a look and commemorating. The essays on artists during this factor handle the images of Zoe Leonard, the gadgets and movies of Judith Hopf, the movies of Yugoslavian Black Wave director Zelimir Zilnik, and the paintings of Lebanese artist Rabih Mroue, whereas broader items examine the classy dimensions of protest and commemoration less than the Argentine dictatorship, the good fortune of 'project exhibitions' within the Nineteen Nineties, and the sculptural poetry of Karl Homqvist.
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Additional info for Afterall: Autumn Winter 2010, Issue 25
Contexts: Project Exhibitions | 65 The project observed the demand for cognitive abilities that are assigned terms such as creativity and intelligence, and brought attention to the boom in training manuals for a wide variety of professions. It questioned their applications and reﬂected on the appropriation of artistic production processes and subcultural ways of life for the worlds of advertising and real estate, pursuing the transformation of emancipatory models from calls for participation to techniques of political control.
See A. ’, in Tony Bennett and Elizabeth B. 186—99; A. 97—114. See M. ), Be Creative! ch/becreative (last accessed on 4 July 2010). See Nikolas Rose, ‘The Death of the Social? 395—424. ‘Be Creative! Der kreative Imperativ’, Museum für Gestaltung, Zurich, 2003. Initiated by M. von Osten and B. ch/becreative (last accessed on 29 June 2010). Contexts: Project Exhibitions | 65 The project observed the demand for cognitive abilities that are assigned terms such as creativity and intelligence, and brought attention to the boom in training manuals for a wide variety of professions.
55—91. The exhibition ‘Work Ethic’ was shown at the Baltimore Museum of Art from 12 October 2003 to 4 January 2004, at the Des Moines Art Center from 15 May to 1 August 2004 and the Wexner Center for the Arts from 18 September 2004 to 2 January 2005. ), Work Ethic (exh. ), University Park, PA: Penn State Press, 2003. Contexts: Project Exhibitions | 61 contexts. This reﬂexivity has led to a massive differentiation of art production, which is described as an artistic practice, or in a more inclusive sense, as cultural production.